Blog Research examples and miscellanies Logo - Share on Facebook Opens in a new window Logo - Share on X Opens in a new window Logo - Share on LinkedIn Opens in a new window Logo - Share on Xing Opens in a new window Logo - Share on e-mail Opens in a new window Logo -Print © HLMD Blog Not very transparent? The Acquisition of Stained Glass in the National Socialist Era It was not until 1943 and 1944 that the “Trefoil with the Dachen” and the “Group of henchmen from a stoning of St. Stephen” came to the Hessian State Museum. © HLMD Blog Verification of New Acquisitions: the Kleinstück Bequest In 2022, the Hessisches Landesmuseum Darmstadt received 121 prints by mainly English and American artists from around 1900 from the Kleinstück Collection. © Museum Wiesbaden Blog Results of Provenance Research on the Portrait with Daffodils by Oskar Zwintscher (1870-1916) The "Portrait with Daffodils", created in 1905, can be found in the art collection of Sigmund Waldes (1877-1961), who was persecuted as a Jew, in July 1939. © HLMD Blog Dispersed by Forced Sale—the Faience Collection of Michel Oppenheim As a Jew, Oppenheim was subjected to repression under Nazi rule. Out of necessity, he decided to sell 65 faiences from his extensive collection of Höchst porcelain, among other things. © HLMD Blog Mutilated? On the Provenance of 55 Incunabula Pages The incunabula leaves are original pages from printed books from around 1500, which have been mounted on cardboard boxes and provided with an explanatory label. © Museum Wiesbaden Blog An almost completely reconstructed provenance chain: Fritz von Uhde’s “The Journey to Bethlehem" The "Walk to Bethlehem" belongs to Fritz von Uhde's group of religious paintings, in which the artist translated biblical themes into scenes of "ordinary life" in the everyday life of his time. © HLMD Blog Unfortunately not a Leighton! John William Godward’s painting “Unexpected Arrival” Whereas the painting “Yes or No” (1893) has always been recognized as by Godward and possesses a seamless, unsuspicious provenance, that of “Unexpected Arrival” remains uncertain to this day. © Hessisches Landesmuseum Darmstadt Blog Remained with the Family: Margaret Macdonald Mackintosh’s Opera of the Seas With the establishment of a separate Art Nouveau collection at the HLMD, a small group of late 19th century English paintings was acquired, including the work of Margaret Macdonald Mackintosh. © Museum Wiesbaden Blog On the occasion of the International Provenance Research Day 2023 The results of provenance research and insights into the history of the collection: Jakob Philipp Hackert’s painting “The Venus Temple in Baja” from the inventory of the Museum Wiesbaden. © Hessisches Landesmuseum Darmstadt Fine presents Prints from the estate of Franz Marc In 1955, four Darmstadt companies (DeTeWe, Schenck, Storm, and Odenwälder Hartstein) each donated a print by Franz Marc to the Hessisches Landesmuseum Darmstadt’s graphic art collection. © Hessisches Landesmuseum Darmstadt Blog Provenance research on works on paper from the WELLA collection at the HLMD In 2013, when the company’s museum was liquidated, the Wella collection was transferred almost in its entirety to the Hessisches Landesmuseum Darmstadt. © HLMD Blog Who was “Frl. M.” [Miss M.]? The Hesse State Museum Darmstadt acquired two drawings by Jakob Fürchtegott Dielmann at an auction. According to the auction catalog, the consignor of the objects is "Frl. M.". Keywords on the subject Blog Research
© HLMD Blog Not very transparent? The Acquisition of Stained Glass in the National Socialist Era It was not until 1943 and 1944 that the “Trefoil with the Dachen” and the “Group of henchmen from a stoning of St. Stephen” came to the Hessian State Museum. © HLMD Blog Verification of New Acquisitions: the Kleinstück Bequest In 2022, the Hessisches Landesmuseum Darmstadt received 121 prints by mainly English and American artists from around 1900 from the Kleinstück Collection.
© HLMD Blog Not very transparent? The Acquisition of Stained Glass in the National Socialist Era It was not until 1943 and 1944 that the “Trefoil with the Dachen” and the “Group of henchmen from a stoning of St. Stephen” came to the Hessian State Museum.
© HLMD Blog Verification of New Acquisitions: the Kleinstück Bequest In 2022, the Hessisches Landesmuseum Darmstadt received 121 prints by mainly English and American artists from around 1900 from the Kleinstück Collection.
© Museum Wiesbaden Blog Results of Provenance Research on the Portrait with Daffodils by Oskar Zwintscher (1870-1916) The "Portrait with Daffodils", created in 1905, can be found in the art collection of Sigmund Waldes (1877-1961), who was persecuted as a Jew, in July 1939. © HLMD Blog Dispersed by Forced Sale—the Faience Collection of Michel Oppenheim As a Jew, Oppenheim was subjected to repression under Nazi rule. Out of necessity, he decided to sell 65 faiences from his extensive collection of Höchst porcelain, among other things. © HLMD Blog Mutilated? On the Provenance of 55 Incunabula Pages The incunabula leaves are original pages from printed books from around 1500, which have been mounted on cardboard boxes and provided with an explanatory label. © Museum Wiesbaden Blog An almost completely reconstructed provenance chain: Fritz von Uhde’s “The Journey to Bethlehem" The "Walk to Bethlehem" belongs to Fritz von Uhde's group of religious paintings, in which the artist translated biblical themes into scenes of "ordinary life" in the everyday life of his time. © HLMD Blog Unfortunately not a Leighton! John William Godward’s painting “Unexpected Arrival” Whereas the painting “Yes or No” (1893) has always been recognized as by Godward and possesses a seamless, unsuspicious provenance, that of “Unexpected Arrival” remains uncertain to this day. © Hessisches Landesmuseum Darmstadt Blog Remained with the Family: Margaret Macdonald Mackintosh’s Opera of the Seas With the establishment of a separate Art Nouveau collection at the HLMD, a small group of late 19th century English paintings was acquired, including the work of Margaret Macdonald Mackintosh.
© Museum Wiesbaden Blog Results of Provenance Research on the Portrait with Daffodils by Oskar Zwintscher (1870-1916) The "Portrait with Daffodils", created in 1905, can be found in the art collection of Sigmund Waldes (1877-1961), who was persecuted as a Jew, in July 1939.
© HLMD Blog Dispersed by Forced Sale—the Faience Collection of Michel Oppenheim As a Jew, Oppenheim was subjected to repression under Nazi rule. Out of necessity, he decided to sell 65 faiences from his extensive collection of Höchst porcelain, among other things.
© HLMD Blog Mutilated? On the Provenance of 55 Incunabula Pages The incunabula leaves are original pages from printed books from around 1500, which have been mounted on cardboard boxes and provided with an explanatory label.
© Museum Wiesbaden Blog An almost completely reconstructed provenance chain: Fritz von Uhde’s “The Journey to Bethlehem" The "Walk to Bethlehem" belongs to Fritz von Uhde's group of religious paintings, in which the artist translated biblical themes into scenes of "ordinary life" in the everyday life of his time.
© HLMD Blog Unfortunately not a Leighton! John William Godward’s painting “Unexpected Arrival” Whereas the painting “Yes or No” (1893) has always been recognized as by Godward and possesses a seamless, unsuspicious provenance, that of “Unexpected Arrival” remains uncertain to this day.
© Hessisches Landesmuseum Darmstadt Blog Remained with the Family: Margaret Macdonald Mackintosh’s Opera of the Seas With the establishment of a separate Art Nouveau collection at the HLMD, a small group of late 19th century English paintings was acquired, including the work of Margaret Macdonald Mackintosh.
© Museum Wiesbaden Blog On the occasion of the International Provenance Research Day 2023 The results of provenance research and insights into the history of the collection: Jakob Philipp Hackert’s painting “The Venus Temple in Baja” from the inventory of the Museum Wiesbaden. © Hessisches Landesmuseum Darmstadt Fine presents Prints from the estate of Franz Marc In 1955, four Darmstadt companies (DeTeWe, Schenck, Storm, and Odenwälder Hartstein) each donated a print by Franz Marc to the Hessisches Landesmuseum Darmstadt’s graphic art collection. © Hessisches Landesmuseum Darmstadt Blog Provenance research on works on paper from the WELLA collection at the HLMD In 2013, when the company’s museum was liquidated, the Wella collection was transferred almost in its entirety to the Hessisches Landesmuseum Darmstadt. © HLMD Blog Who was “Frl. M.” [Miss M.]? The Hesse State Museum Darmstadt acquired two drawings by Jakob Fürchtegott Dielmann at an auction. According to the auction catalog, the consignor of the objects is "Frl. M.".
© Museum Wiesbaden Blog On the occasion of the International Provenance Research Day 2023 The results of provenance research and insights into the history of the collection: Jakob Philipp Hackert’s painting “The Venus Temple in Baja” from the inventory of the Museum Wiesbaden.
© Hessisches Landesmuseum Darmstadt Fine presents Prints from the estate of Franz Marc In 1955, four Darmstadt companies (DeTeWe, Schenck, Storm, and Odenwälder Hartstein) each donated a print by Franz Marc to the Hessisches Landesmuseum Darmstadt’s graphic art collection.
© Hessisches Landesmuseum Darmstadt Blog Provenance research on works on paper from the WELLA collection at the HLMD In 2013, when the company’s museum was liquidated, the Wella collection was transferred almost in its entirety to the Hessisches Landesmuseum Darmstadt.
© HLMD Blog Who was “Frl. M.” [Miss M.]? The Hesse State Museum Darmstadt acquired two drawings by Jakob Fürchtegott Dielmann at an auction. According to the auction catalog, the consignor of the objects is "Frl. M.".
